For this project, I used a Nikon D3000, a Nikon 18-55mm 1:3.5-5.6 lens and a UV filter.
The final theme and set of photographs shown here evolved from several different ideas. My initial plan for the location project was to take photographs of people's pets in Alexandra Park in Oldham. Unfortunately, this plan fell at the first hurdle - the weather was set to be miserable and as winter marches on, the days are getting shorter and it is harder for me to find a few hours of daylight outside work. I also live quite a way away from Alexandra Park and had to plan my shoot around when my mum was going to be taking our dog there for a walk in order to get a lift there. Consequently, my shoot ended up being on a weekday around early evening, when the light wasn't exactly spectacular and the only pet around besides my own was a single Yorkie, who was far too excitable to get a good picture of. I considered revising my plan to pictures of animals found in a park, but my dog scared the waterfowl and squirrels away. So, finally, the plan was revised to simply scenes from a public park. The shots of the squirrels are from a park near the college, and the rest are from Alexandra Park.
The squirrels were surprisingly easy to photograph - they seemed quite comfortable around people and fascinated by the camera, willingly coming towards me, especially when tempted by biscuit crumbs. I am particularly proud of the second squirrel shot, as it has an interesting angle, the suirrel neatly fills one quarter of the photograph, and because of the short depth of field used (F5.6), the detail of the squirrel's fur is in focus while the leaves directly in front and beside it are blurred.
The photo on the right is of my own pet dog - I wanted to try a portrait style photograph with a short depth of field, but as dogs often are, he was not very biddable and I had to make do with the shot on the right. Nevertheless, I am quite pleased with the composition of the photograph, such as the way my dog is right in the centre of the shot.
In the absence of more animals to photograph, I turned my attention to the scenery. It was getting darker at this point, so I compensated by changing the shutter speeds - they vary from photo to photo (1/80s in some, 1/13s in others). As is evident by my selection of shots, I became somewhat enamoured by the padlocks and took lots of short-depth-of-field shots of them. My favourite is the one on the left, because the padlock is upright and in focus, with the cobwebs and the texture of the metal in detail, with the background at a near-45° angle because, like a person in a portraits, it is less important than the central feature of the shot. I also feel that the bottom-right photograph of the padlock with the orangey-brown leaves is quite a good shot, because of the lines of the fence in the upper third of the shot, and the autumn-y colours of the leaves contrasting with the grey metal in the foreground.
I also took plenty of shots of the signs in the parks, though due to the difficulty of getting the exposure right in the dull weather and while it was getting dark, only the two below made the cut. I quite like the one of the "public toilets" sign, because of the way the photograph is divided into two halves, and the contrast between the brick wall and the greenery in the distance, though I did have to correct the exposure a little in Photoshop (plus, due to bad time management, the final print of this shot in my portfolio was printed with the slightly darker version from before I corrected it).
I think the shot of the "conservatory gardens" sign is the weakest of the ten, as I feel that the colours are not very striking - the dog doesn't stand out from the soil as well as I'd like - but I still like the composition.
Overall, I feel that while I produced some shots I like, there are some quite weak shots dragging the overall project down. I could also have managed my time better and planned more thoroughly - if I were to do this project again, I would have included more shots of greenery (and obtained a tripod for this) and gone at an earlier time of day to increase my chances of getting some shots of people enjoying the park and out with their dogs, so that overall the project would have tied together better and more effectively given the impression of a public park. As it stands, I probably chose far too many shots of padlocks and not nearly enough of greenery for a landscape photography project.
Some very basic photoshopped photo montages of my friends as some of their favourite cartoon characters.
These two shots are of the same scene, but one is shot with an 18mm focal length and the other with the 55mm focal length. i think the 18mm works best in this case - in the 55mm, the most interesting feature of the pictures (the squirrel) is in more detail, but in the 18mm, the shot is composed better. The rule if thirds, for example, is obeyed in the 18mm shot - the greenery in the top third of the shot helps to break the monotony of the brown leaves. the lack of this in the 55mm shot makes it a boring and not very well-composed shot.
In all three photos I used F4.5 to get the shallow depth of field.
The third photo, I think, is the best because the subject matter is the least obvious, but I think the texture of the unwashed grapes and the plant leaves work well with the short depth of field - the textures are clearly in focus, but since the rest of the photo is out of focus, the textures don't overwhelm the photographs. The same can be said for the rich colour of the grapes, but I'm not sure whether I should have used different lighting or colour balance to make the green of the stems appear more vibrant. Similarly, in the shot of the pot plant, I perhaps needed to leave more pot in the shot so that the smooth glazed texture of the pot and the matte of the plant could have been more in balance.
As mentioned above, the third shot is the most interesting because of the subject matter - instead of a traditional still life, the photograph of the shoes hints at a story - the high-heeled impractical shoes and the bottles suggest a party has occurred, or is occurring, especially as the bottles are empty and one shoe has been abandoned. The lighting, however, is perhaps not the best - I like the spots of light on the bottles in the background and the spot of light on the shoe in the foreground, but I think the glare on the oven unbalances the composition of the shot, and the bits of dirt on the floor too clearly picked out.
Location photography can be broadly defined as any kind of photography where the photographer goes to the subject, instead of the subject coming to the photographer's studio. There are, however, countless different kinds of location photography. The diagram above roughly explores three kinds - travel, journalism and venue. As is clear in the diagram, after a while the many, many subsections begin to interlink with each other. Travel photography may cover wildlife, food, culture, architecture, street photography and landscapes, and journalistic photography among other things may document wars, politics and civil unrest, but both may have other cultures as subjects and both are forms of documentary photography.
Another example is that venue photography may cover many kinds of events and live performance in many kinds of locations that are very separate from another kind of genre of location photography such as wedding photography, both both venue and wedding photography may potentially be geared towards marketing purposes for a company.
For this project, I used a Nikon D3000, a Nikon 18-55mm 1:3.5-5.6 lens and a UV filter. 
